tag:blogger.com,1999:blog-79601492308302690882011-07-08T05:23:07.730-07:00MUSICO, GUITARRISTA, DOCENTERAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.comBlogger71100tag:blogger.com,1999:blog-7960149230830269088.post-82141581018515755532011-02-07T08:44:00.000-08:002011-02-23T09:39:50.532-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yq4G7x3OxyE/TVAhvugWSgI/AAAAAAAAA3A/hWlIjcuhTPE/s1600/Amsterdam%2Bblues%2Bscofield.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 131px;" src="http://3.bp.blogspot.com/_yq4G7x3OxyE/TVAhvugWSgI/AAAAAAAAA3A/hWlIjcuhTPE/s320/Amsterdam%2Bblues%2Bscofield.jpg" alt="" id="BLOGGER_PHOTO_ID_5570989842878581250" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br />Extracto del solo de John Scofield en el tema Amsterdam blues, del disco de Chris Potter <span style="font-weight: bold;">"Unspoken"</span>.<br />Frase sobre los ultimos 4 compases de un blues en F. Usa Intervalos de 7ma mayor en toda la frase.<br />Compás 1 y 2 descienden por cuartas.<br />Compás 3 y 4 , siguiendo las notas agudas como guia, frase de blues en Bb.<br />No hay mucho que analizar, simplemente observar la sonoridad que logra con este intervalo y como lo hace sonar "outside".<br /><br /><object width="353" height="132"><embed src="http://www.goear.com/files/external.swf?file=f540e90" type="application/x-shockwave-flash" wmode="transparent" quality="high" width="353" height="132"></embed></object><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7960149230830269088-8214158101851575553?l=ramirobarrios.blogspot.com' alt='' /></div>RAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.comtag:blogger.com,1999:blog-7960149230830269088.post-60006801128511506402011-01-25T07:02:00.001-08:002011-02-23T09:27:26.338-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yq4G7x3OxyE/TT7mFb8DS8I/AAAAAAAAA2w/-q4qjhh2kpo/s1600/Kenny%2Bbarron%2Btake%2Bthe%2Bcoltrane.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 230px;" src="http://1.bp.blogspot.com/_yq4G7x3OxyE/TT7mFb8DS8I/AAAAAAAAA2w/-q4qjhh2kpo/s320/Kenny%2Bbarron%2Btake%2Bthe%2Bcoltrane.jpg" alt="" id="BLOGGER_PHOTO_ID_5566139170549877698" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Extracto de solo de Kenny Barron del disco <span style="font-weight: bold;">"Wanton spirit"</span>, sobre el tema Take the Coltrane, un blues de Duke Ellington.<br /><br /><span style="font-weight: bold;"></span>Aca la cosa se pone brava ya que practicamente toca permanentemente "outside".<br />Compás 1: 9na. sostenida del F.<br />Compás 2: Desciende cromaticamente hacia el F# para tocar el arpegio de F#m. Una explicación podria ser que interpretemos el F#m como parte de un II-V, siendo el quinto B7, el cual es sustituto tritonal de F7.<br />Compás 4: Frase basada en la triada de E con su 9na.<br />Compás 5: Cromatismos sobre 3ra y tónica de E (sustituto de Bb7) que culminan en la 13na. y 9# del Bb7.<br />Compás 7: Aprox. cromaticas sobre la 9na. y luego la 7ma. del B7 (mismo concepto que el comp. 2)<br />Compases 8 , 9 y 10: Ciclo de 5tas descendentes (D7-G7-C7-F7-) para terminar con un cromatismo descendente.<br />Compás 11: Cromatismo, luego escala simetrica dism. de C7.<br />Compás 12: Aprox a la 5ta. de C7 y resuelve en F7b9.<br /><br />Obviamente no creo que Kenny Barron, cuando grabo esto, haya pensado teoricamente compás a compás, esta es una manera de analizarlo para llegar a una conclusión. Hay que agregar el valor rítmico que le impone al solo, lo que hace que "suene" con swing.<br /><br /><object width="353" height="132"><embed src="http://www.goear.com/files/external.swf?file=e989015" type="application/x-shockwave-flash" wmode="transparent" quality="high" width="353" height="132"></embed></object><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7960149230830269088-6000680112851150640?l=ramirobarrios.blogspot.com' alt='' /></div>RAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.comtag:blogger.com,1999:blog-7960149230830269088.post-51284909333526450992011-01-25T05:58:00.000-08:002011-02-23T09:21:11.475-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_yq4G7x3OxyE/TT7YLoU7gYI/AAAAAAAAA2o/IQQmJ9y6Yvs/s1600/johnny%2Bsmith.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 146px;" src="http://2.bp.blogspot.com/_yq4G7x3OxyE/TT7YLoU7gYI/AAAAAAAAA2o/IQQmJ9y6Yvs/s320/johnny%2Bsmith.jpg" alt="" id="BLOGGER_PHOTO_ID_5566123883791876482" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br />Extracto de solo de Manha de carnaval, del album <span style="font-weight: bold;">"Johnny Smith"</span> , año 1957, sello verve.<br />una secuencia conocida de acordes: VI7 - IIm - V7 - I.<br />Compás 1: Cromatismo descendente de la tónica de F7 hacia su septima (Eb), de la cual nace un arpegio disminuido para concluir en el segundo compás en el acorde de Bbm.<br />Compás 3: Frase sobre Eb7, desciende desde la 5ta del acorde diatonicamente a la 3ra, arpegio de Gm7b5 y luego arpegio dism. desde su 3ra. (G) para resolver en el compás 4, sobre las notas del acorde (Ab).<br /><br /><object width="353" height="132"><embed src="http://www.goear.com/files/external.swf?file=e9a0598" type="application/x-shockwave-flash" wmode="transparent" quality="high" width="353" height="132"></embed></object><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7960149230830269088-5128490933352645099?l=ramirobarrios.blogspot.com' alt='' /></div>RAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.comtag:blogger.com,1999:blog-7960149230830269088.post-19780758513620444922011-01-15T19:54:00.000-08:002011-02-23T09:29:59.220-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_yq4G7x3OxyE/TTJsXu9B7FI/AAAAAAAAA14/otmBUQOYtQQ/s1600/JOE%2BPASS%2BRELAXIN.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 232px;" src="http://4.bp.blogspot.com/_yq4G7x3OxyE/TTJsXu9B7FI/AAAAAAAAA14/otmBUQOYtQQ/s320/JOE%2BPASS%2BRELAXIN.jpg" alt="" id="BLOGGER_PHOTO_ID_5562627644752784466" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Blues de Charlie Parker, que lo encontramos en el disco de Joe Pass <span style="font-weight: bold;">"Appassionato"</span>.<br />Recursos que utiliza:<br /><br />Compás 1: triada de Dm, aprox. Cromática asc. Sobre 5ta. y 3ra de F, (anticipándose al F7 del compás 2)<br />Compás 2: escala de blues (pent menor/mayor) de F.<br />Compás 6: escala pentatónica de Cm (con blue note) sobre el F#dim<br />Compás 7: triada de Em sobre C<br />Compás 8: escala de Dm armónica sobre A7<br />Compás 9: arpegio de Fmaj7 sobre Dm7<br /><br /><object width="353" height="132"><embed src="http://www.goear.com/files/external.swf?file=a06a995" type="application/x-shockwave-flash" wmode="transparent" quality="high" width="353" height="132"></embed></object><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7960149230830269088-1978075851362044492?l=ramirobarrios.blogspot.com' alt='' /></div>RAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.comtag:blogger.com,1999:blog-7960149230830269088.post-19017650962778997052011-01-15T15:54:00.000-08:002011-02-23T09:25:15.045-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_yq4G7x3OxyE/TTI1Gq0tRAI/AAAAAAAAA1w/MLH8j8DtdOk/s1600/Devil%2Bmy%2Bcare%2BRusell%2BMalone.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 147px;" src="http://4.bp.blogspot.com/_yq4G7x3OxyE/TTI1Gq0tRAI/AAAAAAAAA1w/MLH8j8DtdOk/s320/Devil%2Bmy%2Bcare%2BRusell%2BMalone.jpg" alt="" id="BLOGGER_PHOTO_ID_5562566878446830594" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br />Parte de un solo de Russell Malone, en el tema Devil my care, del disco de <span style="font-weight: bold;">Diana Krall "When I look in your eyes"</span>. Un II - V - I , en el que usa solo la escala mayor de Db. Dandole importancia al ritmo, la sincopa, para que funcione dicha escala y tenga "swing".<br /><br /><object width="353" height="132"><embed src="http://www.goear.com/files/external.swf?file=34a9fb8" type="application/x-shockwave-flash" wmode="transparent" quality="high" width="353" height="132"></embed></object><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7960149230830269088-1901765096277899705?l=ramirobarrios.blogspot.com' alt='' /></div>RAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.comtag:blogger.com,1999:blog-7960149230830269088.post-32980874548400161962010-03-18T07:39:00.000-07:002011-02-23T09:47:22.183-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yq4G7x3OxyE/S6I7whFE1BI/AAAAAAAAA1Q/eRwoQJntCPE/s1600-h/JOE+PASS+OLEO.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 301px;" src="http://3.bp.blogspot.com/_yq4G7x3OxyE/S6I7whFE1BI/AAAAAAAAA1Q/eRwoQJntCPE/s320/JOE+PASS+OLEO.jpg" alt="" id="BLOGGER_PHOTO_ID_5449984203771139090" border="0" /></a><meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 10"><meta name="Originator" content="Microsoft Word 10"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CADMINI%7E1%5CCONFIG%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} </style> <![endif]--> <p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p style="font-weight: bold;" class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p class="MsoNormal"><span style="" lang="EN-US"> <br /></span></p><p class="MsoNormal" style="font-family:arial;"><span lang="EN-US" style="font-size:100%;">Recursos que utiliza:<o:p></o:p></span></p> <p class="MsoNormal" style="font-family:arial;"><span lang="EN-US" style="font-size:100%;"><o:p> </o:p></span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">Compás 2: escala mayor de Bb.<o:p></o:p></span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">Compás 3: escala menor armónica de C.</span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">Compás 4: arpegio disminuido.</span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">Compás 6 al 9: escala menor pentatónica de Bb con blue note.</span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">Compás 10 y 11: pentatónica de blues de sol.</span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">Compás 13: cromatismo desde la 3ra. a la 5ta. Del acorde de Dm</span></p> <p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">Compás 14: arpegio de Gm7b5 sobre Cm7</span></p><p class="MsoNormal" style="font-family:arial;"><span style="font-size:100%;">El extracto del solo corresponde al disco llamado <span style="font-weight: bold;">"Chops"</span>, grabado en duo con el contrabajista </span><span style="font-size:100%;">Niels-Henning Orsted Pedersen.</span></p><p face="arial" class="MsoNormal"> <br /></p><object width="353" height="132"><embed src="http://www.goear.com/files/external.swf?file=26488cb" type="application/x-shockwave-flash" wmode="transparent" quality="high" width="353" height="132"></embed></object><span style="font-size:100%;"></span> <p class="MsoNormal"> <br /></p> <div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7960149230830269088-3298087454840016196?l=ramirobarrios.blogspot.com' alt='' /></div>RAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.comtag:blogger.com,1999:blog-7960149230830269088.post-77819880175183227902010-02-11T18:13:00.000-08:002011-02-22T17:22:48.789-08:00<div style="text-align: right;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yq4G7x3OxyE/S3S9g6ZjK2I/AAAAAAAAA0M/FSr3XscR2LA/s1600-h/LEE+MORGAN+LOCOMOTION.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 312px;" src="http://1.bp.blogspot.com/_yq4G7x3OxyE/S3S9g6ZjK2I/AAAAAAAAA0M/FSr3XscR2LA/s320/LEE+MORGAN+LOCOMOTION.jpg" alt="" id="BLOGGER_PHOTO_ID_5437179023272913762" border="0" /></a><meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 10"><meta name="Originator" content="Microsoft Word 10"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CADMINI%7E1%5CCONFIG%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--></div><style> <!-- /* Font Definitions */ @font-face {font-family:"Souvenir Lt BT"; panose-1:2 8 5 3 4 5 5 2 3 3; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:135 0 0 0 27 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} </style> <![endif]--> <p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal"><b style=""><u><span style=";font-family:&quot;;" lang="EN-US"> <br /></span></u></b></p><p class="MsoNormal" style="font-family:trebuchet ms;"><b style=""><u><span style="" lang="EN-US">Recursos que utiliza:<o:p></o:p></span></u></b></p> <p class="MsoNormal" style="font-family:trebuchet ms;"><span style="" lang="EN-US"><o:p> </o:p></span></p> <p class="MsoNormal" style="font-family:trebuchet ms;"><span style="">Compás 1 al 7: aproximaciones cromáticas ascendentes sobre el acorde Bb.<o:p></o:p></span></p> <p class="MsoNormal" style="font-family:trebuchet ms;"><span style="">Compás 8: escala de Fa menor melódica sobre el Bb7.<o:p></o:p></span></p> <p class="MsoNormal" style="font-family:trebuchet ms;"><span style="">Compás 9: escala de Sib mayor sobre G7.<o:p></o:p></span></p><p class="MsoNormal" style="font-family:trebuchet ms;"><span style=""><o:p></o:p></span></p> <p class="MsoNormal" style="font-family:trebuchet ms;"><span style="">Compás 12: aprox. cromática des. Y ascend. Sobre la 3ra. Del acorde Bb. (mib-re-reb-re).<o:p></o:p></span></p> <p class="MsoNormal" style="font-family:trebuchet ms;"><span style=""><span style=""> </span>Aprox. Diatónica desc, cromática asc. Sobre tónica de Bb. (do – la –sib).</span></p><p class="MsoNormal" style="font-family:trebuchet ms;"> <br /></p><p face="trebuchet ms" class="MsoNormal">Este extracto del solo lo encontramos en el disco de <span style="font-weight: bold;">John Coltrane - Blue Train</span>, disco recomendadisimo en la historia del jazz. <br /></p><p style="font-family: trebuchet ms;" class="MsoNormal">Podemos ver como con algo tan simple como el arpegio de un acorde y buen rítmo, entre otras cosas, se puede hacer mucho..</p><object width="353" height="132"><embed src="http://www.goear.com/files/external.swf?file=0e18bbd" type="application/x-shockwave-flash" wmode="transparent" quality="high" width="353" height="132"></embed></object><div style="text-align: left;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yq4G7x3OxyE/S3S9g6ZjK2I/AAAAAAAAA0M/FSr3XscR2LA/s1600-h/LEE+MORGAN+LOCOMOTION.jpg"><p class="MsoNormal"><span style=";font-family:&quot;;" ><o:p></o:p></span></p> <meta equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 10"><meta name="Originator" content="Microsoft Word 10"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CADMINI%7E1%5CCONFIG%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--></a></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yq4G7x3OxyE/S3S9g6ZjK2I/AAAAAAAAA0M/FSr3XscR2LA/s1600-h/LEE+MORGAN+LOCOMOTION.jpg"><style> <!-- /* Font Definitions */ @font-face {font-family:"Souvenir Lt BT"; panose-1:2 8 5 3 4 5 5 2 3 3; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:135 0 0 0 27 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} </style> <![endif]--><p class="MsoNormal"><span style=";font-family:&quot;;" ><o:p></o:p></span></p> </a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7960149230830269088-7781988017518322790?l=ramirobarrios.blogspot.com' alt='' /></div>RAMIRO DAVID BARRIOShttp://www.blogger.com/profile/05562781842777295806noreply@blogger.com